Nora BAYES En 1920, un año después de haber grabado "Prohibition Blues" (con letra de Ring Lardner), Nora Bayes registró una de las canciones que más se suele citar como ejemplo de temática inmigratoria en la música popular norteamericana de comienzos del siglo XX: la canción se llama "Los argentinos, los portugueses y los griegos".
The Argentines, The Portuguese, and The Greeks
Columbus discovered America in 1492
Then came the English and the Dutch
The Frenchman and the Jew
Then came the Swede and the Irishman
Who helped the country grow
Still they kept a coming and now
Everywhere you go
There’s the Argentines and the Portuguese,
The Armenians and the Greeks
One sells you papers, one shines your shoes,
Another shaves the whiskers off your cheeks
When you ride again in a subway
Notice who have all the seats
And you’ll find they are held by
The Argentine and the Portuguese and the Greek
There’s the Ritz Hotel and the Commodore and
The Vanderbilt and the rest
All of them are classy, up to date hotels
They boast accommodations of the best
When you ask the clerk for a room and bath
He looks at you sarcastically and speaks
Why we’re all filled up with the Argentine
And the Portuguese and the Greek
There’s the Oldsmobile and the Huntmobile
And the Cadillac and the Ford
There are the motors you and I can own
The kind most anybody can afford
But the Cunningham and the Mercury
And the Rolls Royce racing free
Ah they all belong to the Argentine and
The Portuguese and the Greek
There are pretty girls, there are witty girls
There is every kind of a girl
Some you like a little, some a little more
But none of them will set your heart a whirl
When you really feel you’ve met your ideal
A girl with smart and chic
You will find she belongs to an Argentine or
A Portuguese or a Greek
They don’t know the language
They don’t know the law
But they vote in the country of the free
And the funny thing when we start to sing
My Country Tis of Thee
None of us know the words
But the Argentine, the Portuguese, and the Greek
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